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“We live in this world when we love” – Bibi Russell

by Andrea Bury
The image is a black-and-white photograph of a woman reclining on her back, with her head resting on a pillow and her left arm bent at the elbow and raised above her head. * A woman: + Lying on her back + Head resting on a pillow + Left arm bent at the elbow and raised above her head + Right arm not visible in the frame * A pillow: + Underneath the woman's head + Appears to be made of a soft, textured material * A curtain or drapes: + Hanging behind the woman + Made up of long, thin strips of fabric that are draped over a rod or other support The overall atmosphere of the image is one of relaxation and tranquility, with the woman appearing to be in a state of repose. The use of black-and-white photography adds a sense of timelessness and classicism to the image. The image is a black-and-white photograph of a woman reclining on her back, with her head resting on a pillow and her left arm bent at the elbow and raised above her head. * A woman: + Lying on her back + Head resting on a pillow + Left arm bent at the elbow and raised above her head + Right arm not visible in the frame * A pillow: + Underneath the woman's head + Appears to be made of a soft, textured material * A curtain or drapes: + Hanging behind the woman + Made up of long, thin strips of fabric that are draped over a rod or other support The overall atmosphere of the image is one of relaxation and tranquility, with the woman appearing to be in a state of repose. The use of black-and-white photography adds a sense of timelessness and classicism to the image.

© Bibi Russell

Bibi Russell’s story is a vibrant splash of color in the world of fashion, seamlessly blending the richness of rural Bangladesh (where she was born) with the glamour of international catwalks. With a radiant smile and a spirit that captures the essence of her homeland, Bibi has graced the fashion capitals of Europe, working with giants like Yves Saint Laurent, Karl Lagerfeld and Georgio Armani. Yet, it’s her roots in the scenic landscapes of Chittagong and the bustling life of Dhaka that truly define her.

Her narrative is a testament to the transformative power of passion, creativity, and unwavering dedication to a cause greater than oneself.

Bibi’s entry into the fashion world was marked by contradiction. Deemed “too tall, too thin, too dark-skinned” by the standards of her homeland, it was these very qualities that catapulted her to international fame as a top model. After two decades in the modeling industry, Bibi felt a compelling pull towards a different path—a path that led her back to Bangladesh, armed with a vision to intertwine fashion with development.

The image is a collage of three photographs, with the leftmost photo being in black and white and the other two being in color. The central theme appears to be fashion or modeling. * **Leftmost Photo (Black and White)** * A woman wearing a headscarf and holding it up above her head. * The text "With a height of 5'10" and exotic features, Bibi was one of the most popular models of European fashion houses." is written below this photo. * **Top-Right Photo (Color)** * A woman with long hair wearing a striped shirt. * **Bottom-Right Photo (Color)** * A man in a suit and hat standing in front of a chain-link fence. The image appears to be showcasing the work or careers of models Bibi and possibly another individual. The inclusion of text about Bibi's height and features suggests that she may have been a notable figure in European fashion during her time.

© Bibi Russell

The social entrepreneur

Transitioning from model to social entrepreneur, Bibi startet Bibi Production in 1995, an initiative funded entirely by her life’s savings and a deep-seated commitment to rejuvenating Bangladesh’s handloom industry. Russell’s dedication to reviving traditional textiles and handicrafts has given thousands a chance to rise out of poverty. By 2004 Bibi had employed over 35.000 weavers in Bangladesh. This endeavor has earned her international recognition, including prestigious titles from UNESCO and the United Nations, underscoring the global significance of her contributions. “I am doing my dream to save and revive the craftspeople through fashion,” Bibi reflects, her mission rooted in a profound respect for the artisan community.

Russell’s collaboration with Vogue has brought global attention to traditional Bangladeshi craftsmanship, promoting sustainable and ethical fashion practices. Her work has introduced a new narrative into the fashion world, focusing on diversity, inclusivity, and empowerment, showcasing that fashion can play a pivotal role in cultural preservation and social responsibility​.

Yet, for Bibi, the true measure of success lies in the bonds she has forged with the people at the heart of her mission. “To be loved by the village people,” she cites as one of her most cherished milestones, highlighting the deep connection she shares with the artisans whose lives she has touched.

The image depicts a group of people, predominantly dressed in traditional Indian attire, posing for a photograph on a stage. In the foreground, the individuals are arranged in three rows. The back row consists of four men, each wearing black turbans and matching outfits adorned with white stripes. In contrast, the middle row features five women, all attired in vibrant orange or yellow saris complemented by white shawls. Notably, one woman from this row stands out, dressed in a striking red sari with intricate gold designs. The front row comprises three women, also dressed in traditional Indian attire. The background of the image is blurred, but it appears to be a stage set against an orange backdrop, suggesting that the group may have been part of a fashion show or cultural event celebrating Indian heritage.

© Bibi Productions

The social activist

Bibi’s favorite quote by Rabindranath Tagore, “We live in this world when we love it,” encapsulates her ethos and the spirit that infuses her work. Her approach transcends the mere creation of a material foundation for the underprivileged. It’s about instilling a sense of self-worth and reigniting a collective appreciation for cultural values and traditions. Her persistence led to a groundbreaking moment when the London Fashion Week opened with her collection from Bangladesh, stitched together on six ancient Singer sewing machines in Dhaka. This achievement was more than a personal victory; it was a symbolic reversal of the historical injustices inflicted upon Bengali weavers by colonial powers.

Perhaps most impactful is her work with the girls at the Liluah Home in West Bengal, where she empowers victims of child trafficking with income-generating skills, culminating in a fashion show in Kolkata that put their talents and resilience on display.

The image depicts a vibrant scene of people gathered together, with a focus on traditional attire and accessories. * **People:** * Multiple individuals are present in the image. * They appear to be dressed in traditional clothing, with some wearing orange or yellow saris adorned with striped patterns. * The group consists of both men and women, each sporting distinct hairstyles and jewelry. * **Clothing:** * The dominant color is orange, with accents of yellow and brown. * Stripes are a common feature in the clothing, adding to the festive atmosphere. * **Accessories:** * Jewelry is prominently displayed, including necklaces, earrings, and bangles. * Some individuals wear head wraps or scarves, while others have their hair styled in various ways. * **Background:** * The background is not clearly visible due to the crowded nature of the image. * However, it appears that the gathering is taking place outdoors, possibly at a cultural event or festival. In summary, the image showcases a lively group of people celebrating together, dressed in traditional attire and adorned with colorful accessories. The vibrant colors and patterns create a festive atmosphere, suggesting a joyful occasion such as a wedding or harvest festival.

© Bibi Russell

Russell’s journey from an international model to a designer and social entrepreneur reflects her dedication to ethical fashion and her mission to use fashion as a tool for development and empowerment. In Bibi’s own words, “Fashion for Development” is not just a slogan; it’s a movement that bridges the gap between tradition and modernity, East and West, creating a network of human connections that transcend geographical and cultural boundaries. She is a rolemodel for all social entrepreneurs, illustrating that social business well planned and executed with passion can be a powerful platform for development and empowerment. Her story is a compelling invitation to envision a world where fashion is not just about what we wear but about the lives we touch and the change we inspire.

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